WILLIAM LEWIN “BIRDS OF GREAT BRITAIN”, VERY RARE 1ST EDITION ORIGINAL WATERCOLOR, DATED 1790

$250.00
Originally $350.00

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Item Code: 611-554

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William Lewin (1747–1795) was an English naturalist and illustrator. Lewin grew up in Stepney, the son of a rate mariner. In 1776 he was earning a living as a pattern drawer, and by 1783 was describing himself as a painter. He specialized in natural history subjects. In 1789 he began to issue his, “The Birds of Great Britain, with Their Eggs, Accurately Figured”, which he had been working on for the previous twenty years. It included 323 watercolor sketches of each of the 271 of birds and 52 plates of eggs, all which he hand-painted himself in gouache for the 60 copy first edition, a total of 19,380 individual paintings. Assisted by his three sons, he immediately began work on a second edition which was issued in parts from 1793 to 1801. The second edition, of 150 copies, was produced using copper plates onto which Lewin directly scribed the images which were not copies of the first edition work, but entirely new and very much more detailed. Lewin died suddenly in 1795 having completed only the first 103 copper-plates himself. His sons (Thomas, Thomas William and John William) completed the remaining plates (104-336) after Lewin's death. In 1791 his friend John Latham sponsored Lewin's membership of the Linnean Society. Lewin was buried at Edmonton on December 10, 1795.

The first edition of, “Birds of Great Britain and Their Eggs” almost immediately suffered from being broken-up for the individual watercolors, most of which have, as a consequence, been lost or destroyed. The second edition has also suffered in this way and complete copies are now also extremely rare with less than 30 known complete examples remaining.

Offered here is a first edition image, plate No. 63, the “WATER OUZEL”, accompanied by pages 21-22, which gives a typed description of the bird. Each page measures approx. 10 ¼” x 12 ¾”. Pages have lightly yellowed with age and some smudges are present. Edges that were removed from book binding are distressed but all other edges are free of chips or tears. Image is highly collectible with realistic detailing that is worthy of framing.

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